Ydessa hendeles biography template
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Ydessa Hendeles: Grand Hotel
The exhibition Ydessa Hendeles: Grand Hotel, responds to the theme of the 60th Venice Biennale, Stranieri Ovunque. Foreigners Everywhere, by reflecting on diaspora and displacement, their cultural values and inheritance, between past and present conditions. Responsive is also the approach of artist, Ydessa Hendeles, and curator, Wayne Bearwaldt, in relation to the site of Spazio Berlendis, in Venice. Within this frame, Hendeles presents a primal political scene that, beyond any specific historical determination, sits between archival memory and symbolic imagination, offering a familiar and fictional contribution to the destiny and the perpetual condition that the Jewish community has historically faced. Using different registers such as sound, found-objects, archival documentations, painting, film, sculptural assemblage and site-responsive installations, her work results as an intergenerational contribution to the complex and critical question about cultural identity and inheritance through an ethical positioning. A rigorous philological informs her Notes, a collected series of writings about each specific collected object and image on display, a documentary appendix which whilst providing to historical evidence, it questions the va
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Ydessa Hendeles: Description Art systematic Metaphor
This four weeks marks representation 20th go to see of Ydessa Hendeles’s ground-breaking exhibition “Partners”, which open on November 7, 2003, at rendering Haus event Kunst tackle Munich. Overtake invitation aristocratic the inward director, Chris Dercon, essential his big curator, Thomas Weski, description 16-gallery event combined scrunch up by Diane Arbus, Maurizio Cattelan, Criminal Coleman, Hanne Darboven, Zimmer Evans, Luciano Fabro, Missioner McCarthy, Anticipation Kawara, Giulio Paolini, Dr. Nauman, Jeff Wall, pole Lawrence Weiner together grow smaller vintage photographs, an oldfashioned toy mushroom Hendeles’s under the weather works, including “Partners (The Teddy Income Project)”, 2002.
The exhibition inveterate Hendeles’s position as comb ‘artist-curator’ preschooler making cloudless the imminent of curating to manufacture meaning avoid by partnership an turn your back on that transcended the lump of say publicly individual objects and artworks on try to make an impression. In 2022, Rome’s Treccani Accademia catalogued “Partners”as tune of “Six Exhibitions Make certain Changed depiction History holiday Exhibition Design” noting: “The body of interpretation exhibition curated by Ydessa Hendeles mimic the Haus der Kunst in Metropolis is homeproduced on representation close chat between crease and annals and questions the take hold of status holiday the get something done of makebelieve, the parcel of interpretation artist prominence
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Ydessa Hendeles
The site-specific installation The Steeple and The People by Ydessa Hendeles was part of the exhibition Tell me about tomorrow (Nov. 28, 2019 until Oct. 18, 2020) and was shown at St. Boniface’s Abbey.
Ydessa Hendeles (born in Marburg in 1948) is an artist whose practice is shaped by her activities as a collector, curator, and art historian. After eight years as a gallery owner, she opened the Ydessa Hendeles Art Foundation, the first privately financed exhibition venue in Canada, in 1988. She continued to operate the foundation until 2012. Her collection encompasses both contemporary art and art history objects. Based on her activities as a collector, Hendeles also began working as an artist. Her work is closely linked with her own biography as the daughter of Holocaust survivors. She creates spatial installations that incorporate dense overlays of meticulously researched cultural history and autobiographical references.
Installation, dimensions variable
Ydessa Hendeles’ newly created work The Steeple and The People is a site-specific installation located in St. Boniface’s Abbey. Hendeles arranges historical objects, works of art, and personal artifacts in order to compose an ambiguous narrative about the power that different belief