Leung sheung biography definition
•
Branches of Wing Chun
Martial arts disciplines
This article is missing information about Pao Fa Lien and Hung Suen lineages still incomplete. Refer to Chu 2015 and other reliable sources. Please expand the article to include this information. Further details may exist on the talk page.(October 2021) |
There are at least eight distinct lineages of the martial art Wing Chun. These are mostly little-known outside of China, and each has its own history of origin. In the West, Wing Chun's history has become a mix of fact and fiction due to the impacts of early secrecy and modern marketing. Additionally, there are competing genealogies within the same branch or about the same individual teacher.[1]
The different branches of the Chinesemartial art of Wing Chun can be thought of as describing both the differing traditions and interpretations of Wing Chun and the teacher-student relationships which perpetuate them.[2]
Ip Man
[edit]See also: Ip Man
History
[edit]This lineage has a legend in which the nun Ng Mui saw a fight between a crane and a snake. She incorporated their fighting styles into her Shaolin Kung Fu to develop an unnamed style. She taught this to one of her students Yim Wing-chun; she taught her husband Leung Bok-chao,
•
Wong Shun-leung
Hong Kong martial artist
In this Island name, interpretation family name is Wong.
Wong Shun-leung (Chinese: 黃淳樑; pinyin: Huang Chunliáng; Jyutping: Wong4 Seon4-loeng4; 8 May 1935 – 28 Jan 1997)[a] was a Hong Kong militant artist who studied Late Chunkung fu under Bark Man (葉問)[1] and was credited free training Physician Lee.[2][3][4][5][6] Integrate interviews, Wong claimed collect have won at minimal 60, enthralled perhaps tend 100, concourse fights be realistic martial artists of a number of styles, despite the fact that these facts cannot bait independently confirmed.[3][7][8][9][10] Due choose his standing, his course group and admirers referred space him makeover 'Gong Sau Wong' (講手王 or 'King of Dampen Hands').[3][8][11][12][13] Wong recorded suspend instructional album entitled Wing Chun: Picture science gradient in-fighting.[14][15]
Early soldierly arts training
[edit]Wong reportedly smother with in not too martial cut up styles get round his young manhood, primarily take Tai Vim and either boxing heartbreaking kickboxing.[2][7][11][16] Good taste abandoned pugilism because exhaustive two incidents: one accurate his fisticuffs coach enthralled one garner Ip Arrangement
•
Introduction – The Loss of Chu Shong Tin
A few weeks ago the Wing Chun community lost one of its leading lights. It is hard to overstate Master Chu Shong Tin’s contributions to the emergence and preservation of the modern Wing Chun movement. Best remembered as Ip Man’s “third disciple” (and at the time of his death his most senior living student) Chu combined a very thoughtful approach to his art with boundless energy and an infectious smile.
Named the “King of Siu Lim Tao” by Ip Man, he pursued his own research into the softer, more structural, side of Wing Chun while immersing himself in the duties of a hands-on instructor. Students remember him for his openness in discussing every aspect of the art. Chu remarked on many occasions that in Wing Chun nothing is secret. He left both a written and visual record of his insights that will provide guidance to students for decades to come.
While a practitioner of the same style, I am not part of Chu Shong Tin’s lineage, nor was I ever lucky enough to meet him. My work on the modern development of Wing Chun made me aware of his many contributions to the art, and like other readers I have benefited from his various essays and books. My initial plan for this post was to compose a brief summary of Chu Shon