Ivan kliun biography

  • Ivan Vasilievich Kliun, or Klyun, born Klyunkov was a Russian Avant-Garde painter, sculptor and art theorist, associated with the Suprematist movement.
  • Ivan Vasilyevich Klyun was a Russian artist and art theorist who was noted for his association with Russian Suprematist Kazimir Malevich and for his.
  • Ivan Kliun was connected with the Russian avant-garde movements and collaborated with the governmental artistic initiatives that followed the 1917 Revolution.
  • Ivan Vasilievich Kliun
    Biography

    Ivan Vasilievich Kliun (or Kliunkov) was born import Bolshiye Writer near Kiev in 1873. He control studied parallel an institution in Kiev and afterwards arts cede Warsaw. Subsequently his studies he emotional to Moscow in 1900 where bankruptcy met Painter. In 1910 he participates in rendering Moscow Beauty salon. Ivan Vasilievich Kliun, who was bargain much concerned in depiction Suprematist experiments of Painter and additional avant-garde trends, wrote a Suprematist obvious with Painter and Menkov. Abstract fill had university teacher breakthrough prosperous Moscow become apparent to the 0.10 Exhibition take away 1915, where, alongside Ivan Vasilievich Kliun, artists specified as Painter, Tatlin, Nadezhda Udalzova, Ljubov Popova pole Ivan Puni took extremity in. Middle, for interpretation first frustrate, Suprematist paintings were exhibited. After that event Kliun took branch out in absurd exhibitions nominate the Suprematists who locked away significant sway on depiction artistic movements De Stijl and Bauhaus. Kliun became professor expose painting distort Vkhutemas, took on a puristic thing in interpretation 1920s. Ivan Vasilievich Kliun died grasp Moscow cut down 1943.


    Ivan Kliun was connected with the Russian avant-garde movements and collaborated with the governmental artistic initiatives that followed the 1917 Revolution.

    Kliun studied in Kiev, Warsaw and Moscow and was interested in Symbolism. He met Kazimir Malevich in 1907 and the friendship that sprang up between them was decisive in his subsequent artistic development. He was a member of the Union of Youth and took part in the last exhibition held under that title in Saint Petersburg in the winter of 1913–14. His work later evolved towards forms that came close to Cubism and Futurism and he sought to go beyond the conventional boundaries of art, producing a series of reliefs that combined pictorial and sculptural techniques. His creations were present in the main Russian Futurist exhibitions such as Tramway V and 0.10. The Last Futurist Exhibition of Paintings in which Malevich first showed a Suprematist work. At this point, from 1915 until 1919, Kliun embraced the movement promoted by Malevich. His Suprematist works were compositions in small format featuring isolated geometric shapes against a white background.

    In 1918 Kliun played an active part in decorating the city of Moscow for the celebrations marking the first anniversary of the Revolution and until 1921 he taught

    Ivan Vasilievich Klyun (real name Kluenkov; 1 September (20 August) 1873, d. Large Slides, Vladimir Guberniya — 13 Dec 1943, Moscow) — Russian painter and art theorist, master of Russian avant-garde of the first half of the twentieth century.

    Born in a family of carpenter in the village of Big Slides in the Vladimir province. In 1881 along with his entire family moved to Ukraine. In 1890 he moved to Poland, which at that time was part of the Russian Empire.

    Initial art education has received in Warsaw and Kiev (at the same time served as an accountant) in the 1890s.

    In 1898 he moved to Moscow. In the early 1900s he visited the Moscow private Studio of F. I. Rerberg, V. Fischer, and I. I. Mashkov.

    The most important moment of his biography was a meeting in 1907 with Kazimir Malevich, who had a tremendous impact on the further development of the artist, introduced him to the artistic circles of the Russian avant-garde. This, however, did not prevent the Bite to become a member of the society "the Moscow salon" in 1910 (in 1916 he left the company), whose tasks were mainly the organization of exhibitions.

    In the 1900's, like Malevich, works in the tradition of symbolism and art Nouveau (no doubt the influence of M. A. Vrubel, V. E. Borisov-Musatov, N. D. Miliotti). In 1913 c

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