Diane d aquila biography of abraham
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Public Programs Funded Media Projects on the History and Experience of War
An Endowment-wide initiative to promote understanding of the military experience and to support returning veterans.
NEH seeks grant proposals that explore war and its aftermath, promote discussion of the experience of
military service, and support returning veterans and their families.
Division of Public Programs
List of Funded Media Projects on the History and Experience of war
Note- This list is organized in four sections: films about specific wars, biographies, other projects of interest, and projects in production. Projects are listed chronologically by the time period they cover (not by production date). The Division has funded films on every major war through World War Two. The presidential biographies also have extensive coverage of wartime issues, both at home and abroad.
The War That Made America
Documentary
The War That Made America brings to life a vastly important—but often misunderstood—period of American history, a period that set in motion forces that would culminate in the American Revolution. The dramatic documentary tells the story of the French and Indian War (1754–63), which began in the wilderness of the Pennsylvania frontier and spread t
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Interview: The tall actor says he needed to sharpen his wits to keep up with icon of “Heavens Are Hung in Black’ at Shattered Globe.
By Lawrence B. Johnson
Lawrence Grimm stands 6 feet 4 inches tall – the same height as Abraham Lincoln. It wasn’t height that worried Grimm when he took on his nuanced and profoundly human portrayal of Lincoln in James Still’s “The Heavens Are Hung in Black” at Shattered Globe Theatre. What concerned the actor were the iconic dimensions of the 16th president, the towering figure whose wisdom would guide the nation through its greatest crisis.
“Those were big shoes to fill,” says Grimm, “and of course Lincoln’s life has been documented in so many books filled with very strong opinions about who he was and what he did. But when I stopped worrying about what I hadn’t read and simply began doing what actors do – when I began memorizing the part and creating my own persona – that feeling of being absolutely overwhelmed went away.”
Still’s highly concentrated play is set in an early phase of the Civil War when the Union’s campaign seemed to be mired in indecision and miscalculation. Lincoln mulls the idea of revoking slavery, but emancipation is not at the top of his mind. First and foremost is the preservation of the Union. Yet even as his burde
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Credits
Creative team
Act III, Spot E by
Robert Wilson
Act IV, Scene A and Close by
Robert Physicist and Heiner Müller
Act IV, Scene A and Address translated by
Christopher Martin deliver Daniel Woker
Directed by
Robert Wilson
Costume design by
Yoshio Yabara
Lighting contemplate by
Jennifer Tipton and Parliamentarian Wilson
Sound set up and penalisation by
Hans Tool Kuhn
Cast
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