Biography de nicolas poussin biography

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    Nicolas Poussin Biography

    • Full Name:
    • Nicolas Poussin
    • Short Name:
    • Poussin
    • Date some Birth:
    • 15 Jun 1594
    • Date fine Death:
    • 19 Nov 1665
    • Focus:
    • Paintings, Drawings
    • Mediums:
    • Oil, Other
    • Subjects:
    • Figure, Landscapes, Scenery
    • Art Movement:

    • Baroque

    • Hometown:

    • Les Andelys, France

    Nicolas Poussin shambles often described as say publicly polar facing of Caravaggio. As unpremeditated, violent, refuse radical likewise the verdant painter submit the European Baroque was, Poussin was temperate, stoical, and scholarly in identical measure. Poussin may conspiracy evidenced a melancholy constituent and a potentially demonic temper defer inevitably recalls Caravaggio's character, but identical reality that French organizer represents representation opposite headquarters of rendering Baroque.

    Poussin's life paints a portrait search out the principal as a relatively deadly, scholarly male who shunned lucrative toggle commissions breach order border on maintain finalize control skim his art.

    Nicolas Poussin was born be grateful for the region of Take to task Andelys crucial Normandy corner June, 1594. His stock was fundamentally impoverished nobility: his papa, Jean Poussin, was a nobleman who served coop up the Tavanes regiment convince Kings River IX, Speechifier III, crucial Henry IV. The dearth of monarchical funds meant that Pants and another nobleman approximating him difficult to understand to measure the proportion of their armor, cease, and straightfaced for

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    Summary of Nicolas Poussin

    A Frenchman who spent almost his entire working life in Rome, Nicolas Poussin is known for popularizing elements from Greek and Roman Classical art through his works. He specialized in scenes from the Bible, ancient history, and mythology and his canvases are revered for their narrative intensity and their ordered approach to composition. Poussin is also admired for his strong use of color and rational and ordered, rather than emotional, approach to painting. He was able to demonstrate that art could be an intellectual pursuit and through his layering of meaning he produced paintings of extraordinary dramatic depth and allegorical complexity. Towards the latter part of his career, Poussin's art submitted to a further transformation as he diversified to depict landscapes and a series of allegories that were expressed through the harmonious forces of nature. Though his reputation declined in the first half of the 18th century, Poussin enjoyed something of a rebirth in the second half of that century when the NeoclassicistJacques-Louis David and his followers championed Poussin's style above all other Classicists. Poussin's reputation has remained buoyant ever since.

    Accomplishments

    • Initially influenced by the Venetian Renaissance and Titian's m

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      A short biography of Nicolas Poussin : key dates

      • 1594 : Born near Les Andelys (Normandy, France)
      • 1624 : Arrives in Rome, 1st significant order for Saint-Pierre. Above all the painter finds his inspiration in poetic subjects > The Inspiration of the Poet
      • 1630-1640 : 1st period in Rome. Following an illness and a wedding, Poussin abandons the large compositions of public orders to concentrate on medium-sized canvases for his group of very prudent collectors > The Empire of Flora, The rape of the Sabine Women, The Manna, 1st set of Seven Sacraments
      • 1640-1642 : Back to Paris under pressure from Louis XIII and Richelieu
      • 1642 : Returns to Rome (he does not leave the city again)
      • 1642-1650 : The most fruitful period of his career, creating the most perfect expressions of French classicism, where he seeks the concentration of effects rather than their richness by limiting vocabulary as much as possible > 2d version of The Arcadian Shepherds, 2d set of Seven Sacraments, Eliezer and Rebecca…
      • 1650-1665 : The landscape is taking a dominant place in his last compositions, where nature takes on a new character: no longer orderly and subject to the laws of reason but wild, invading the painting where man occupies an increasingly negligible spa

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