Augustin dumay biography meaning
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Where did these violinists go?
Kevin Huang
May 21, 2006 at 05:58 AM · There are many great players whose star shines brightly and then disappear from public view.
I myself am always curious as to where these players have gone and what they are doing.
Here's a partial list:
Ik-Hwan Bae: This former 2nd prize winner of the Queen Elizabeth winner should've won outright the 1986 Tchaikovsky competition. I thought he was every bit the equal of(if not outright superior to) winners Ilya Kaler, Raphael Oleg, Hu Kun, and several other prominent violinists today. His demise in that competition was likely sealed when he tore off this crazy Schoenberg American fiddle piece and you could see the Eastern Bloc judges frowning in confusion. From an ability standpoint, Bae easily had more than enough skill to be a soloist with any orchestra in the world.
Akiko Suwanai: She somehow placed 2nd to Vadim Repin in the Queen Elizabeth contest. No offense to the excellent Repin, but I didn't think that he sounded better than Suwanai on that CD they put out together. Not surprisingly, she ended up winning the 1990 Tchaikovsky Competition outright. Suwanai had the looks and sweet smile to be a world violin superstar. Could motherhood have taken her off the world stages?
Jean Jacques
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Ivan Fedele
Italy
Ivan Fedele was born in Lecce in 1953. He studied the piano with B. Canino, V. Vitale and I. Deckers, and composition under the guidance of R. Dionisi, A. Corghi and F. Donatoni. At the same time, he studied Philosophy at the University of Milan, with E. Paci, L. Geymonat, G. Giorello, R. Mangione and R. Cantoni. He owns to his father, a mathematician, the passion for mathematics, as it becomes evident in his compositional researches, including the examination and use of the concept of "spatialisation" (Duo en résonance, Ali di Cantor, Donacis Ambra), the formulation of a "library" of creative processes and the definition of a prototype of "granular synthesizer", like the one used for the realization of the electronic part of Richiamo (for brass, percussions and electronics - IRCAM 1993).
Ivan Fedele's catalogue, edited by Suvini Zerboni, consists of about eighty titles, to which one should add the opera Antigone, commissioned by the Teatro Comunale of Florence for the inauguration of the Festival "Maggio Fiorentino", in April 2007. In addition to a large body of chamber music, his catalogue includes various works for orchestra with and without soloists, the most recent piece being Arco di vento, for clarinet and orchestra.
He has collaborated with Boul